Taking Flight

Wow. Just ... wow. The opening day of our Kickstarter Tour was a great success, with an excellent turnout at both Sherry's Yesterdaze and Cafe Hey. Many thanks to our community of supporters for welcoming Bluebird with such warmth.

In a rare moment of speechlessness, we tell the story in images (courtesy of Ubernothing Art Review and Literary Magazine, Wayne S. Williams and others):

Bird in the News

Spreading the word, making some friends, shaking a tail feather. Fall is an avian season. Things are getting downright frisky.

In October, we got our first press in Megan Voeller's lovely Creative Loafing article. And by chance, it was seen by a visitor who brought the news back to Vouched in Indianapolis, IN, a very cool project that promotes small press literature via guerrilla book stores, reading series, and online publishing. So pleased to make their acquaintance! And indeed the feeling was mutual, as founder Christopher Newgent quickly revealed his desire to start up a similar Vouched Bus project. Perfect timing. Let's fly seeds across the land.

What's next? Tomorrow evening, a rendezvous with Stephanie Hayes of the St. Petersburg Times. And the Kickstarter campaign, ever-so-slightly delayed (it takes time to make a good video and such) is expected to go live the week of Nov. 14.

That will be just in time for our first stop on the kick-off tour, at Sherry's Yesterdaze Parking Lot Sale, Saturday, Nov. 19 from 8 a.m. to 2 p.m. Watch for more exciting programs that same evening, when the Ubernothing Big Machine Event takes over at Franklin Street's Cafe Hey.

Oh, we've come a quite a long way. Remember when the bus was yellow? And six hours of scraping turned arms into useless jelly?  Those were good times.

Annotations (no. 2)

"Until I feared I would lose it, I never loved to read. One does not love breathing."

Jean Louise (Scout) Finch

(To Kill a Mockingbird, Harper Lee, 1960)

Required Reading: Philly Fanatic Edition

Our findings these days continue to take a decidedly naughty slant, as subversive, dark or complicated tales dominate the shelves. 

It makes sense in many ways. The founding of a new venture always requires a side-step into uncharted territory – explored here with a rather lengthy reading list from Philadelphia (after the image), where a recent business trip was bookended by visits to the best in thrift, book and comic book stores. 

We scored so much that FedEx had to assist in the transport home. On the way out of town, this exhibit at Institute of Contemporary Art Philadelphia, about Philly's Prohibition-era radical press The Centaur Book Shop, closed another memorable chapter. 

"Up on my back, and I will take you thither."

The Breast

Philip Roth

(1973, Jonathan Cape, London)

Tweaking Kafka’s foibles, Roth pens this odd and funny yarn of a man who suddenly turns into a giant female breast. “Sightless in his hospital hammock, Kepesh ponders on possible causes for his monstrous metamorphosis.” 

Cavedweller

Dorothy Allison

(1998, Plume)

Extraordinary. Incantory. Fragile. Tangled. Indomitable. Heartbreaking. Brilliant. Allison.

Sexing the Cherry

Jeanette Winterson

(1989, Vintage International)

“The marvelous and the horrific,” according to The New York Times, “… fuses history, fairy tale and metafiction into a fruit of a memorably startling flavor.” 

Notice a theme appearing here? 

The Acid House

Irvine Welsh

(1994, W.W. Norton & Company)

An anthology of shorts from the Trainspotting author, this caustic volume specializes particularly in “cosmic reversals … [with] a corrosive wit.”

Last Exit to Brooklyn (1957, Grove Press)

The Demon (1976, 1998, Marion Boyars)

Both by Hubert Selby, Jr.

It’s hard to find the right words. We’ve been searching for Selby, and found a bounty. So far Last Exit to Brooklyn feels like the precipice of a roller coaster: excitement and anxiety at gravity’s edge. We’re ready for more, and it can’t be taken in gentle doses. The Demon is almost fear-inducing,  a “devastating, dark, perfect novel” (Chicago Sun-Times).

Cock & Bull

Will Self

(1992, Vintage Books)

A gender-bending pair of novelettes by Brit darling Will Self, described by New York Magazine as “deliciously funny comic fantasy [that] offers pointed comments on the bewildering and sometimes terrifying forms of contemporary sexual expression.”

Clumsy

Jeffrey Brown

(2002, sixth edition, Top Shelf Productions)  

This diminutive graphic novel out of Marietta, Georgia, is filled with darling, painful comic vignettes “for everyone who has ever loved and lost.”  Check.

Hot Water Music

Charles Bukowski

(1984, Black Sparrow Press)

Thanks again, Black Sparrow, for a torrent of gritty poetic prose, brief glimpses of L.A.’s underbelly provided by one of our favorite dirty old men.

We also bought Bukowski’s novel ‘Factotum’ (1975, rep. 1980, Black Sparrow), a classic edition with a simple geometric cover design fringed by a microscopic spattering of wax drops – accidental candle deposits from the previous owner. How charming are the touches that remind us of other hands and other eyes.

The Autobiography of Alice B. Toklas

Gertrude Stein

(1933, 1990, Vintage Books)

This irreverent, conjoined-twin kind-of biography about the infamous pot-brownie-baking lesbian is an unexpected trip.

Kaleidoscope: A Variety of Short Stories

Ed., Ralph E. West, Jr., William Penn Charter School

(1970, Independent School Press)

Took a chance on this one, in part for sentimental reasons. It was edited by a professor from our kindergarten school in Philadelphia – albeit 13 or so years before we attended. This looks like a good teaching text, with short stories both classic and new by the likes of Poe, Twain, Jack London and E.M. Forster.

Dreamtigers

Jorge Luis Borges

(1964, 1970 E.P. Dutton & Co., Inc.)

The most personal of books by a masterful figure in contemporary literature, crammed with poems, stories and sketches best described by John Updike of The New Yorker: “He represents the skeptical mind that is fascinated by an unending compulsion to isolate and define moments of experience in which the presumed identity of self, of here and now, can be fathomed and recognized as a tragic illusion.”

We expected nothing less.

Granta: The Magazine of New Writing

Issue 115: The F Word

(Spring 2011 issue, ed., John Freeman and others)

Sometimes we find great new books. And this, with its beautifully tactile cover, entices us to explore new feminist writings by Gillian Allnutt, Laura Bell, Clarisse d’Arcimoles, Maja Hrgovic, Caroline Moorehead, Eudora Welty, Jeanette Winterson and many others.